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How ‘Andor’ Season 2 Production Design Gives the Empire Its Oppressive Weight
Andor' Season 2 production designer Luke Hull tells IndieWire where in our world you can go to lobby the Imperial Senate.
Andor was one of the great TV triumphs of the decade. Here’s why.
Intricate, thrilling and heartbreaking to the very end: this was a brilliant show about the people who never get statues.
‘Andor’ Creator Tony Gilroy on the Series Finale, Cassian’s [SPOILER], the Show’s ‘Controversial’ Set and His Next Film With Oscar Isaac
"Andor" creator Tony Gilroy explains the series finale, including his thinking behind the final image, his future with "Star ...
Tony Gilroy On The ‘Andor’ Season 2 Finale, Cassian’s Sister & Disrupting ‘Star Wars’ Canon
The following interview contains spoilers about tonight’s Season 2 finale of Disney+’s Andor. Star Wars fans can be a finicky ...
Consequence4d
Say It in Ghor: How Andor Brought a Brand New Language to Star Wars
The Andor post-production team explains how the fictional tongue spoken by the people of Ghorman came to be [ Editor’s note: ...
The Forward on MSN7d
Is ‘Andor’ about Jews, Palestinians — or both and/or neither?
Season 2 of the Disney+ series is drawing comparisons to Gaza — but that's just one of many readings available to viewers.
The Independent2d
Andor should have been a Game of Thrones-size hit – why isn’t it?
Things move differently in space. Absent the earthly nuisance of air resistance, objects are free to travel through the vacuum with inertial motion: never stopping until something stops them.